I shot 16 files in total, and I don't know if I'll need them all, but I want to open them all in Photoshop to see. Here, I've selected the source images for my joiner in Adobe Bridge. If you don't, you might end up with two problems - your computer might crash as Photoshop attempts to open multiple large files at the same time, and even if it doesn't, your final canvas will be absolutely enormous. Assuming you shot them in a low resolution mode, you can just drag your files straight into the program and skip the rest of this step, but if you made the mistake of shooting at full resolution, you will need to resize your shots first. Now that you've got back to a computer it's time to load your images into Photoshop and get started. Don't be afraid to shoot lots of pictures - you don't have to use them all. Shoot plenty of exposures in both horizontal and vertical formats, and for a more natural look in the final joiner, make sure you take all of the pictures at the same exposure in either manual mode or using exposure lock. You want to capture every little detail of this view so don't be afraid to zoom in on small scene elements as well as getting wider-angle shots that include more of the view. 1MP is enough for the individual shots, given that you're going to create a much larger final image. But before you do, set your camera to the JPEG format and select a low resolution. You've found the scene you want to capture, you've got a camera in your hand, so take a deep breath and prepare to take some pictures. ![]() Like all good first steps (well, most anyway) the first step in this technique is the easiest. I'm using Adobe Photoshop CS5 for this example. Here's a quick guide to my approach - if you like the results, why not experiment with your own? All you'll need is a software package that allows you to create image files with multiple layers. But if I want to explore the feeling of being somewhere and looking at a certain view, I'll make a collage. Personally, if I want to create a panoramic image with no joins, I tend to reach for one of the countless compact cameras that offer some variation on the now-common 'sweep panorama' function. This image, taken at 24mm, is boring and gives no sense of the scale of the landscape. I hiked up to this mountain lake with a superzoom camera, but its widest focal length of 24mm (equivalent) just wasn't wide enough. British artist David Hockney is one of the most famous exponents of the technique and you can see some of his work here. You can go naturalistic - where you'd aim to minimise or hide the joins between the separate images, or you can play around and produce a more impressionistic effect. ![]() How you shoot these individual pictures, and how you join them defines the type of collage you're going to make. A collage (sometimes also called a 'joiner') is a large photographic image made up of a number of separate exposures of the same scene, joined together. Or even if it is, maybe the final exposure doesn't match your experience of scanning a wonderful view and focussing in on small details, as they make up the larger picture. Sometimes even the widest angle lens isn't wide enough to capture the scene in front of you.
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